IMAGE OF EARTH AND QUILL

Guest Poet Caroline Seagle



to change tempo

Light illuminating chloroform. 
a trellis overhanging, 
entangled; wisteria, rose, 
grapevine, the soft murmur of 
lavender, curl 
gently together, 
modest for gold.

autumn: ripened fragility in 
pungent chestnut, milky birch, 
sanguine maple- 
transcending silence, radiance 
resonating the music 
of misty morning haze, 
spreading its thick fingers 
over and within 
fertile, green valleys: 
rising ghosts of wet earth.

Underfoot, beneath 
the ethereal, beneath 
the viscous morning 
trudges a brilliant 
orange head 
proudly to stream, intrepid 
half-shell encasing 
thinned, wrinkled flesh, 
while, its placid companion, 
purple newt, tantalizes 
a dreaming bed 
of green moss.

(we have all done this before)

I want to smash it 
against the wall: 
this greedy metronome, 
hurrying sweet smells 
of damp soil 
and lilac, soft 
sighs of tulips 
upon awakening. 
I want to hold 
in my very hands 
what I cannot, for 
a very long time.


September, 2002


Caroline Seagle's questions:

Is the imagery successful?

does the poem seem jambled or too wordy?

did you think turtle in the third stanza? I didn't want to actually use the word, turtle. but perhaps it's not obvious enough.

do the line breaks make sense?

is the title appropriate?

thanks very much,


Please correspond with Caroline Seagle at
orchidcaroline@yahoo.com
with your ideas about this poem.



The Albany Poetry Workshop