DIA TRIENTE DOS:
Domingo de Ramos, 20 March 2005, Palm Sunday
San Cristobal de Las Casas (SCLC) - morning.
LAST NIGHT we (surprise!) strolled downtown, after laying around all day behind the private yellow patio walls and pink gate of our casita. Now that we have a kitchen, we no longer study every menu posted on every eatery we pass, so we can stroll a little faster. We had a purpose: see if any Palm Sunday processions were planned. We found a poster, with a route map and times. We copied the information, went to the zocalo and repelled more vendors, returned home and retired early.
Maureen is reading a fat biography: CAPTAIN SIR RICHARD FRANCIS BURTON, the life of the explorer, translator and literary iconoclast. Adventurers had it much rougher in previous times, and so did their wives. Maureen periodically utters expressions of horror.
THIS MORNING we're up early, dressed and nourished and out to reach a waypoint (the zocalo) on the procession route at the appointed time. No sign of processionaires, although we thought we might have heard distant drums and trumpets. We head down to the midpoint, at El Carmen. Still no sign. Two-score cops saunter by as nearby church bells ring. We wait, return to the zocalo, wait, watch families on the cathedral steps weave cornstalks into palm fronds and crosses. No procession.
We stomp up to the start-and-end point of this alleged procession, the huge Templo de Santo Domingo looming over the textile marketplace. The market is just setting up; every single stall and tarp and gunny-sack of weavings and carvings is brought here on human backs and foreheads. Still no procession. Scores of congregants arrive, carrying their woven fronds. The 7:00 AM bells start ringing, 52 regular klangs -- pigeons swarm away from the church, then immediately return. But no procession.
Why this wild procession chase? Couldn't the confradia round up anyone to hit the streets? Do they use a different system of clocks? The diocese has posted schedules and routes of further processions, later in the week. Will those posters prove just as unreliable?
EVENING NOW: After a morning rest it's back to the zocalo. Survivors of noon mass erupt from the cathedral but no more than usual; will Semana Santa be so subdued here? Many more vendors; a tiny dark shrunken old lady is so happy on the return of a braid she dropped unaware. We keep telling them we already have enough for everyone in the family. The usual walks down the usual streets, dodging for midday shade.
And now we're sipping tea, boiling beans, listening to the firecrackers. I'm finally processing pictures, working on Dias Tres now. These next couple weeks might not be the best time for external undertakings (like language school, rather pricey here anyway); so I'll compute, Maureen will draw, we'll listen to our Spanish tapes daily, and plot the next move.
DIA TRIENTE CINCO:
Miercoles 23 March 2005, San Toribio de Mongrovejo
San Cristobal de Las Casas (SCLC) - Wednesday night.
We've been taking it easy (hah!) for a couple days, laying low, barely budging from the casita. Which means that I've been slogging away at the keyboard hour after hour, editing pictures. Almost through with the first week, almost. Doing images ruins me for writing.
Why do I spend more time processing pictures than taking them? Because we use nice little point-and-shoot digicams that introduce color casts which must be removed, and I like to punch up the colors anyway. Because we often hold the cameras at imperfect angles, which I can fix. Because I often shoot in bad light, or use infrared -- more color and contrast fixing. And because I like to manipulate the suckers for artistic effect. That's why.
MONDAY: When girls passing on the street look at me and giggle and whisper, "Santa Claus!" it's time to shave. So I trimmed back; then during siesta we headed to the supertienda (about the size of a K-Mart) for supplies. Do you think that US markets and X-marts play music that is loud and annoying? Hah! Such places are silent refuges, veritable hermitages, compared to Mexican retail outlets.
But we did manage to hear and chat with a Little Old Lady who wondered if we knew her family and friends in Texas. Alas, we're the wrong gringos. She hugged us goodbye.
TUESDAY: Didn't budge all day. Had our Texas neighbors over for a Tres Leches (scrumptuous pastry) dessert and a fine chat. Rather, Maureen and Melanie talked about many things, and Jim (remember hula Daddy Warbucks?) loudly described his life in computers and printing, including how every printer 1) drinks and 2) is tempted by counterfeiting.
I learnt much about counterfeiting:
* Employ the highest-resolution scan possible.
* Check your spelling carefully.
* Don't print money on computer paper. The most basic test checks for acid content on pulp paper. Only use rag (or linen?) paper.
* Print in multiple passes, preferably with professional equipment.
* Don't try to counterfeit Mexican bills -- they use metal threads and plastic windows and many funny tricks.
* All counterfeiters in the US are caught eventually. Almost.
WEDNESDAY: On Palm Sunday we fruitlessly hunted a procession. Ditto today. But at least we found a Semana Santa (Easter week aka spring break) program guide (printed by Pepsi-Cola) and we have hopes of future success.
And we successfully blew a few hundred pesos -- me on more clay animalitos and a fine large Jaguar pot (olla de Jaime) and a muy grande hamaca (big hammock), Maureen on a beautiful handmade shirt etc. And as tonight fades away, we hear a nearby English speaker yelling at whining dogs to SHUT UP, and incessant deep-bass music that's either a slow rave or a fast hymn session. The holiday has begun.
FUTURE: Following Semana Santa, SCLC will celebrate a weeklong Feria Primavera (Spring Fair). Said Fair always crowns a Queen. In the long arcade of the Municipal Palace is a long large display with photos of every Spring Queen since 1901. (Only a few until 1921, constant since then.)
Today, a large stage was erected in front of the Palace, with a long elevated runway stretching across the zocalo to the two-story bandstand. Contestants practiced strutting along the runway this evening. I'm not sure when the show and crowning are scheduled -- guess we'd better check the program guide.
Today in the cathedral were many civilians of all nationalities with cameras, and some local pros (from the state of Chiapas' one TV station) with sound and video equipment, obviously setting up to broadcast the interior events. We've no TV so we'll have to be there to see it. Check the damn program guide.
HORNS: As in Antigua, sirens are rarely heard, but there are occasional car alarms, and LOTS AND LOTS of honking. Communication by horn is an aural gesture, rather like thrusting fingers rudely. Oh yeah, when traffic is slow, honking really speeds thing up. Right.
One of my favorite bumper stickers here: USA SUS CABEZA, NO SUS KLAXON (Use Your Head, Not Your Horn) -- not that anyone pays it any heed, of course.
STREET SOUNDS: Jai Uttal is a California-based jazz-fusion musician, an (East-)Indian-American kid who grew up in Los Angeles with a pop-record-executive father who brought home a couple dozen new singles every day. About 15 years ago Jai went to India for the first time and was overwhelmed by the street music and ambient sounds. With his band he recorded a superb first album (FOOTPRINTS) attempting to portray that sonic environment.
The street sounds here in SCLC, other than the propane-trucks' metallic shreiks, are mostly electric -- car alarms, sound trucks, honking, loud cars with big bass speakers. What were the Mexican street sounds before mobile amplification, 15 or 50 years ago? And is street music in India now driven by boom boxes etc? George Gershwin produced a memorable sonic portrayal with AN AMERICAN IN PARIS. Who would want to portray modern cities in music, and would such portraits be tolerable?
INDIOS: I mentioned earlier that Indigenas (Indios) are a despised class in Mexico, politically and socially. We had an old Irish-American friend who said that he was twelve years old before he learnt that FuckinBrits was not one word. Some years ago ago a young gringo who grew up in a US enclave in Mexico told me that middle-upper-class Mexicans commonly used (in translation) FuckinIndians as a single word. Same attitude.
The indigenous here are generally without land, money, political power or basic respect, within and beyond their own communities. Alcoholism and abandonment and abuse are epidemic. And I don't know of any Mayan-Huichol-Zapotec casinos, no prospects for enrichment or economic development. Here, the Indigenas (Indios is a politically incorrect term) are truly focked.
HOW TO DRIVE ACROSS LATIN AMERICA (or anywhere) ON US$48 A DAY:
It's easy. Just count your money, count the number of days you'll be gone, and divide one by the other to compute your daily budget. Ours is $48/day for six months; you do the math.
Now start moving around, and keep track of EVERY DAMN buck or peso or quetzale or lempira you spend. Every day or week or so, see how your expenses match your budget. When they get out of whack, STOP. Stay someplace cheap. Don't eat out or buy goodies or take guided tours.
Then when your average daily expense gets back on track with your budget, you can start rolling again, until the next time you go TILT. There, wasn't that simple? We can almost follow this prescription ourselves.
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