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The Music of the Planes
You want gratuitous fluff? Here it is.
One of the common ways it seems that people with a RPG hobby waste
time is posting to newsgroups or creating web pages listing musical
inspiration for sundry games or settings. Frequently, these lists are
heavily tilted towards rock music (for reasons spelled out nicely in
Derek Percey's list at the end of the In Nomine core rules
book). This list is a little different. Here, I list one or two pieces
of classical music which I think fit very well with certain of the Outer
planes. I'm a big fan of classical music; it probably has something to
do with having played the violin since I was five years old.
The Outlands
- Beethoven, Sympony #6
...the whole thing. Leave any movements out and you don't have the
proper balance.
- Dvorak, Symphony #9 ("From the New World")
Especially the second movement.
Mt. Celestia
- Saint-Saens, Sympony #3, 4th movement
It starts with an organ blast, and quickly works its way into a line
that sounds like a hymn. The folks who made the movie Babe knew
that this was suitably grandiose music about the triumph of the
individual, and so it fits Mt. Celestia quite well. It's got the power
and the bombast, together with the heavenly strains and choirs of
angels.
- Widor, Toccatta from Symphony #5 for Organ
Bytopia
- Copeland, "Fanfare for the Common Man"
Sums it up pretty well.
- Copeland, "Appelachian Spring"
The Shaker Hymn fits very well here. What is it with Copeland and
this plane?
Elysium
- J.S. Bach, "Air on the G-string" from Suite No. 3
I'm having a hard thinking of a more suitably peaceful piece of
music.
- Stravinsky, "Pastorale"
Originally written in 1907 for soprano and piano, in 1933 he
transcribed it for violin and piano. A very peaceful piece of music
that KDFC used to use when it would sign off for the night at midnight
back when I was in high school (in the first half of the
1980's).
The Beastlands
- Saint-Saens, "Carnival of the Animals"
For the name if no other reason!
Arborea
- Tchaikovsky, Sympony #6, 3rd movement
It certainly fits for the Sensates, and it's not too far off for the
Greek powers. It's jolly, upbeat, and is the one movement that seems to
be about enjoying life in the middle of a symphony entitled "The
Pathetique."
- Mozart, Overture to "The Magic Flute"
Ysgard
- Beethoven, Symphony #5
It would seem I'm pretty stuck on the Beethoven Symphonies. That's
true in real life too.
- Holzt, "Jupiter" from The Planets
The perfect counterpoint to the similar piece listed for Acheron.
Pandemonium
- Berlioz, "Symphony Fantastique"
...especially where it starts to really get intense.
The Abyss
- Prokofiev, "Dance of the Knights" from "Romeo and Juliet"
...or, at least, the first section of it. The title doesn't sound
right, but this is a piece of music you might recognize even if you
don't know much classical music. It is rather severe and ominous
sounding.
Carceri
- Mozart's Requiem
This one I can't quite explain, but it seems to strike me as vaguely
appropriate.
The Grey Waste
- John Cage, "Four Minutes, Thirty-Three Seconds"
Perhaps the worlds most apathetic piece of music. OK, OK, serious
musicologists are likely to come at me with kitchen implements, saying
that I didn't get it, that the point of the piece is environmental
sounds, that it's a serious piece of music, etc. Yeah, OK, I'll ceed
all that. But the fact remains that from down here in the peanut
gallery, a piece of music which is nothing more than "stand there and do
nothing for 4 minutes and 33 seconds" really seems pretty apathetic.
(My tastes are simply not mature enough to appreciate a lot of John
Cage, I guess. I'll stick with Beethoven.)
Baator
- Moussorgsky, "Night on Bald Mountain"
What else?
Acheron
- Carl Orff, "O Fortuna" from Carmina Burana
The words don't exactly fit (though they aren't terribly off
either), but you can almost hear the crashing cubes underlying the
inevitable march of war....
- Holzt, "Mars" from The Planets
Nearly perfect.
Mechanus
- Beethoven, Symphony #8, 2nd movement
The movement that Beethoven wrote in honor of the recent invention
of the Metronome seems particularly appropriate for the plane of
clockworks. It's got a constant rhythmic underpinning, and a good
balance between light and serious tone.
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