last updated: Thu, December 19, 2019 9:11 AM

FALL 2019
J159 SESSION DETAILS

This page is updated as the class progresses.
If there is no entry for a day, use the G-Drive excel sheet schedule as the official schedule, or ask me.

Standard abbreviations for our main texts

  • Lavish are the Dead = LAVISH
  • Nip the Buds, Shoot the Kids = MEMUSHIRI
  • A Personal Matter = KOJIN
  • Ahgwee the Sky Monster = AHGWEE
  • Silent Cry = MANEN
  • An Echo of Heaven = JINSEI
  • Somersault = SOMERSAULT
  • The Changeling = CHANGELING

Week 1

ORIENTATION

Session 01 Thurs Aug 29 – Orientation (1)

Seating format: We will sit in a circle. We will almost always sit in a circle so please arrange the room accordingly when you arrive.

Before class: Nothing to do except look over the syllabus and "Syllabus, Part 2" and bring your questions about these two documents.

In class: I will give an overview of the course.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. There is nothing in particular that you are expected to do after this session for this session.

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Week 2

I sketch out the entire course flow at the beginning of the term, then adjust it as we progress through the class, based on our learning objectives. I create the next week's schedule during the weekend before that week. When the schedule is not updated, refer to the Google Drive backup calendar and if still not clear, email me.

Session 02 Tues Sept 3 – Orientation (2)

Seating format: We sit in a big circle. Sit wherever you wish. Please help build the circle at the beginning of class, and restore the room to its original seating arrangement at the end.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • There is nothing to do for this session in particular. I will explain the course process. However, Bakhtin's "Rabelais and His World" and Ōe's "Lavish are the Dead" are BOTH due for Thursday. Reading them early is highly recommended. (*All assigned readings besides the major novels are digital files on our bCourse site. Ask a fellow student or contact me if you cannot locate them.

In class: I will be explaining how we will run the class this time..

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.


INTRODUCTORY READING
Bakhtin's essay Rabelais and His World (1940)
Ōe's short story 死者の奢り Lavish are the Dead (1957)
Music of Hikari (1994)

Session 03 Thurs Sept 5 — Rabelais "grotesque realism" | Oe's Lavish are the Dead | Music of Hikari

Seating format, and some other things: Big circle. Details recorder (D-RECORD): Nico. Themes level recorder (TL-RECORD): Kevin. Reviewer (REVIEW): Cai. The two recorders should sit at opposite sides of the circle to help capture the discussion. They are welcome to use devices. For all others (including reviewer), devices should be closed. (We don't do "close readings" in this class so there is no need to have access to the texts. You can print them out if you wish, but I won't be asking questions that require recalling specific passages in details, and you won't have time to read once asked a question. You will need to rely on your memory and notes.) DUE TIMES: D-RECORD is due 24 hours after the end of class (so 3:30PM the next day). TL-RECORD is due 48 hours after the end of class. REVIEW is due 72 hours after the end of class. Do not be late in your submission! ...

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Read with care and thought, not skim, Bakhtin's "Rabelais and His World" and Ōe's "Lavish are the Dead." In the past, one student role was brining discussion questions for a session. However, I now have a large database of past student questions from which to draw. In the interest of reducing the workload some, I will not ask you to generate question. I will rely on previous student questions. Examples of discussion questions I might ask : • "What is the carnivalesque and grotesque realism?" • "Bakhtin mentions that the carnivalesque is not merely destructive but also redemptive. There is no value in it if it merely degrades but does not rejuvenate. In Lavish of the Dead, do you recognize this two-sided entity, or is it merely a work focused on disintegration and devaluement?" • "As the opening story, Lavish are the Dead, provides a blunt example of the kind of grotesque realism we can anticipate from Oe throughout the semester. In my opinion, details in imagery are the driving force of Oe's writing style. Oe engages his reader by delving deeper and touching upon as many senses and elements as he can: sight, smell, touch, sound, and even taste (remember the bile that the girl vomited?). Had it not been for the detailed descriptions, how truly grotesque will the story have felt? Would we have been able to get as clear of a perception of 'grotesque realism' without the accompanying details?"

In class: We discuss the assigned material in depth.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

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Week 3

This week we finish the preliminary readings and begin reading the first of Oe's novels. Since MEMUSHIRI is due for Thursday, be sure you have procured your version in time to have done the reading.

I sketch out the entire course flow at the beginning of the term, then adjust it as we progress through the class, based on teaching goals. I create the next week's schedule the weekend before that week. When the schedule is not updated, refer to the Google Drive calendar.


INTRODUCTORY READING
William Faulkner's 1932 novel Light in August (Chapter 3)
Jean-Paul Sartre's 1946 lecture Existentialism is a humanism

Session 04 Tues Sept 10 — Sartre on existentialism | Faulkner's Yoknapatawpha County

SEGMENT: INTRODUCTORY READING — William Faulkner's 1932 novel Light in August (Chapter 3) Jean-Paul Sartre 1946 lecture, Existentialism is a humanism

Seating format: "Big circle." *Check for whether you have a recording duty for this session.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Read (on bCourse, everything will be unless I say otherwise): Jean-Paul Sartre, "Existentialism is a humanism" File name: Existentialism is a humanism (Sartre)
  • Read: William Faulkner's 1932 novel Light in August, Chapter 3, 40-55. (15 pages) (and the notes on this book pulled from Wiki at the top of the first page. File name: Light In August Chpt 03 v190907. NOTE: "He" in the first line of this chapter is Reverend Gail Hightower, a secondary figure in the novel who suffers from the hatred of the people of his community, Jefferson, the largest town in Yoknapatawpha County. Byron Bunch is also a secondary figure—a compassionate man, and Hightower's only friend. Jefferson and Yoknapatawpha County are fictional places in the American Deep South.

Notes:

William Faulkner's fictional Yoknapatawpha County (pronunciation [Yok'na pa TAW pha"] listen to bCourse: "Yoknapatawpha pronunciation.mp3") is an important literary construct for Ōe. We will return to this in the third major reading for this class: The Silent Cry • Man-en gannen no futtobooru • 万延元年のフットボール (1967). Just as the second and fourth of our readings deal with the theme of facing the challenge of disabled family members, our first and third readings, MEMUSHIRI and MANEN, explore family units and pseudo-family units living in countryside-mentality villages. The Faulkner reading for today takes up some of the core values that Ōe sees in village life and, like Faulkner, Ōe has a mythical valley that he returns to at various times for his novels. MEMUSHIRI is, I think, the first appearance of that valley and is certainly the first worked-out version of it.

In class: We discuss the assigned material in depth.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.


EARLY OE NOVEL
芽毟り仔撃ち Nip the Buds, Shoot the Kids (1958)

Session 05 Thurs Sept 12 — MEMUSHIRI (1958) Reading the first third of the book

Seating format: "Big circle" *Check for whether you have a recording duty for this session.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Read (using your purchased version of the book) MEMUSHIRI Chapters 1-6.
  • Read the Companion Page information.

In class: We discuss the assigned material in depth.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

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Week 4

Note: This week we read Oe in Japanese. There are various levels of reading ability in the room. Do what your level enables you to do, following the guide questions listed on the Tuesday session details.

I sketch out the entire course flow at the beginning of the term, then adjust it as we progress through the class, based on teaching goals. I create the next week's schedule the weekend before that week. When the schedule is not updated, refer to the Google Drive calendar.

Session 06 Tues Sept 17 — Reading in Japanese the opening passage of MEMUSHIRI

NOTE: Sept 18, 11:59PM is the add/drop/swap/change deadline.

Seating format: "Big circle." *Check for whether you have a recording duty for this session.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Read in Japanese the opening passage of the novel: Folder MEMUSHIRI > "01_Memushiri_A.pdf" using "01_Memushiri_A_VOCAB_v140129.docx."
  • Review any relevant Companion Page entries.

Notes:

This is our first reading of Ōe in Japanese. It is the opening pages of MEMUSHIRI.

Whenever we read in Japanese, our priority question is:

"What did I get from reading this in Japanese that I did not get when reading in English?"

Note that this is not the same as asking how the two are different, or evaluating the quality of the English translation.

Our second priority is:

to read a section "closely" pondering word choice, the function of this specific scene with its images, events and so on.

Our third priority is:

"What seems to be indicative of Ōe's writing style?"

If you have read attentive to style (not content or theme) any other Japanese author in the original, consider taking some time to compare this style with any of those, and make a comment in class.

In class: We do not read and translate. We discuss what we have learned from reading in Japanese.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session unless you have a recorder role.

Session 07 Thurs Sept 19 — MEMUSHIRI (1958) Reading the second third of the book and Presentation Day

Seating format: Small groups, then "Big circle"

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • If you wish, for your group's presentation, read in Japanese the opening passage of the novel: Folder MEMUSHIRI > "02_Memushiri_B.pdf" using "02_Memushiri_B_VOCAB_CHECKED.pdf."

In class: Same as Tuesday.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session unless you have a recorder role.

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Week 5

I sketch out the entire course flow at the beginning of the term, then adjust it as we progress through the class, based on teaching goals. I create the next week's schedule the weekend before that week. When the schedule is not updated, refer to the Google Drive calendar.

Session 08 Tues Sept 24 — MEMUSHIRI (1958) Reading the final third of the book

Seating format: "Big circle." *Check for whether you have a recording duty for this session.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Finish reading MEMUSHIRI.

In class: Lorem.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.


THEMES

Session 09 Thurs Sept 26 — Themes Day

Seating format: "Big circle."

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Lorem.

In class: We discussed themes, then you committed to two of them.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

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Week 6

I sketch out the entire course flow at the beginning of the term, then adjust it as we progress through the class, based on teaching goals. I create the next week's schedule the weekend before that week. When the schedule is not updated, refer to the Google Drive calendar.


AMIDST 1960S UNREST
個人的な体験 A Personal Matter (1964)

Session 10 Tues Oct 1 — KOJIN (1964) Reading first third of the book

Seating format: "Big circle." *Check for whether you have a recording duty for this session.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Read the first third of the book, including the Companion Page. entries.
  • Discussion Questions (DQ) are due.

In class: We will discuss the first third of the book.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

Session 11 Thurs Oct 3 — KOJIN (1964) Reading early passage in Japanese

Seating format: "Big circle." *Check for whether you have a recording duty for this session.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Discussion Questions (DQ) are due.
  • Prepare the first Japanese passage, probably labeled with the letter "A".

In class: We will discuss the passage.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day. NOTE: Various assignments come due during the weekend.

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Week 7

I sketch out the entire course flow at the beginning of the term, then adjust it as we progress through the class, based on teaching goals. I create the next week's schedule the weekend before that week. When the schedule is not updated, refer to the Google Drive calendar.

Session 12 Tues Oct 8 — KOJIN (1964) Reading second third of book and Presentation Day

Seating format: Sit with your presentation group. *If you were assigned recording duties for this day, work as you usually would except: incorporate the comments presenters might add to the session transcript and there are no details recording duties during your own group's presentation.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Read the second third of the novel, including the Companion Page. entries.
  • Discussion Questions (DQ) are due.
  • Complete all the work for presentations except the final polishing that happens during class.

In class: Final preparations for presentations, then presentations. How long a presentation should be will be announced once groups are known.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

Session 13 Thurs Oct 10 — KOJIN (1964) Reading final third of book

Seating format: "Big circle." *Check for whether you have a recording duty for this session.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Read "My Life in the Bush of Ghosts"
  • Read Oe on Masaoka Shiki's compassion.
  • Read the final third of the novel, including the Companion Page. entries.
  • Discussion Questions (DQ) are due.

In class: We will discuss the final third of the novel, and the novel overall.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day. NOTE: Various assignments come due during the weekend.

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Week 8

I sketch out the entire course flow at the beginning of the term, then adjust it as we progress through the class, based on teaching goals. I create the next week's schedule the weekend before that week. When the schedule is not updated, refer to the Google Drive calendar.


VARIATIONS ON A THEME: 空の怪物アグイー Aghwee, the Sky Monster (1964)

Session 14 Tues Oct 15 — 空の怪物アグイー Aghwee, the Sky Monster (1964)

Seating format: Big circle.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Read with care, comparing to KOJIN, "Aghwee the Sky Monster" (AGHWEE)
  • Read the Companion Page. items for this story
  • View Harvey clip
  • Look over Harvey companion notes.

In class: Discussion of AGHWEE X KOJIN.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.


TIME, TRUTH AND FAULKNER: 万延元年のフットボル The Silent Cry (1967)

Session 15 Thurs Oct 17 — Faulkner and Faulkner/Oe scholarship

Seating format: Big circle.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Read with care both files in the folder: Faulkner and Oe (submit one discussion question on each file)
  • Read for comparing to Oe's sentence structure: Faulknerian sentences
  • Read for storyline: Absalom, Absalom! summary
  • Read for storyline: Sound and the Fury summary
  • Read for storyline and mood and possible grotesque realism: William Faulkner - The Bear (submit one discussion question that compares this to Oe)

In class: Discussion of Faulkner vis-a-vis Oe.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

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Week 9

I sketch out the entire course flow at the beginning of the term, then adjust it as we progress through the class, based on teaching goals. I create the next week's schedule the weekend before that week. When the schedule is not updated, refer to the Google Drive calendar.

Session 16 Tues Oct 22 — MANEN 01 – Reading first third of book, Chpts 1-5

Note: Chapter titles for this novel are here.

Seating format: Big circle.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Read with great care Chapters 1-5.
  • Read the relevant passages on the Companion Page.
  • Refer to the *MAN-EN Chapter titles here. They are important.

In class: Discussion of these chapters, likely based on your DQ.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

Session 17 Thurs Oct 24 — MANEN 02 – Reading Chpt 1 passage in Japanese

Note: Chapter titles for this novel are here.

Seating format: Big circle.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Prepare as best you can (more than just a few sentences!!) of the original Japanese, using MAN-EN Chpt 01 in the bCourse MAN-EN folder.

In class: Discussion of what you have learned of this novel having read some in of it in Japanese.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

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Week 10

I sketch out the entire course flow at the beginning of the term, then adjust it as we progress through the class, based on teaching goals. I create the next week's schedule the weekend before that week. When the schedule is not updated, refer to the Google Drive calendar.

Session 18 Tues Oct 29 — MANEN 03 – Reading second third of book, Chpts 6-9, and Presentation Day

Note: Chapter titles for this novel are here.

Seating format: Tight circle, circular circle. :)

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • In theory there should have been organization or groups and topics reported to me but I didn't set up the process for this due to the power outage. I appreciate that most everyone did this anyway. That was very very helpful!

In class: Discussion and presentation. Actually, I discussed most of the time and presentation time was limited to the last 30 minutes of the class.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

Session 19 Thurs Oct 31 — MANEN 04 – Reading last third of book, Chpts 10-13

Note: Chapter titles for this novel are here.

Seating format: Tight circle.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Finish reading MANEN and the companion page content.
  • Make a bCourse group (see announcement).
  • Be sure to submit DQ.
  • Check to see what your RECORD duty might be. They have been updated as I think you already know.

In class: Discussion of the book's ending, as a whole, and compared to other works so far read.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

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Week 11

We wrap up our work on MANEN this week.

I sketch out the entire course flow at the beginning of the term, then adjust it as we progress through the class, based on teaching goals. I create the next week's schedule the weekend before that week. When the schedule is not updated, refer to the Google Drive calendar.

Session 20 Tues Nov 5 — MANEN 05 – Reading the last part of Chapter 12 in Japanese

Note: Chapter titles for this novel are here.

Seating format: Tight circle.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Prepare with care the Japanese that is on bCourse, that is a selection from Chapter 12.
  • There is no DQ due for this session.

In class: We sit in a circle and discuss how you experience the scene differently when reading in the original. I might also ask about the reading for the first round of Japanese, the class you did on your own. No small group work this day.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

Session 21 Thurs Nov 7 — MANEN 06 – Final considerations and themes check-in

Note: Chapter titles for this novel are here.

Seating format: Spread out, for quizzing.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Review MANEN with care. Review the themes with care. Jot down one or two sentences for each them. You will give these to me when you arrive at class.
  • There is no DQ due for this session.

In class:

  • RC on MANEN content.
  • RC on themes.
  • Then we will discuss MANEN, mostly but not entirely via the themes. No small group work.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

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Week 12

I sketch out the entire course flow at the beginning of the term, then adjust it as we progress through the class, based on teaching goals. I create the next week's schedule the weekend before that week. When the schedule is not updated, refer to the Google Drive calendar.

Session 22 Tues Nov 12 — Flannery O'Connor shorts and scholarship about her

Seating format: Tight circle.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Do the extensive reading of Flannery O'Connor as outline at (bCourse) "AA-OConnor reading order v191108."
  • Be ready to answer these questions:
    • The basic bio of Flannery O'Connor
    • Summaries of the short stories assigned
    • Her view on the grotesque
    • Her view on grace
    • What you think might interest Oe of her

In class: We will discuss her, her stories, her notion of the grotesque, and her notion of grace.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

Session 23 Thurs Nov 14 — JINSEI 01 – Chapters 1-3

Direct link to the Companion Page for JINSEI: here.

Seating format: Tight circle.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • The way we will read this book is to engage with considerable care the many authors, thinkers, figures, and artists to which it refers, via the Companion Page and your own active learning approach to extending your knowledge in ways that are useful to reading JINSEI. This time:
    • Review Oe's bio and be ready to express an opinion of what might change the content of his novels between MANEN (1967) and JINSEI (1989).
    • Who is W.B. Yeats? Take a look at some of his poems and characterize them.
    • Who is William Blake? Take a look at some of his poems and characterize them.
    • What is the Theosophical Society?
    • What the relationship of these men to that society?
    • Do you think the "imagination" as stated in William Blake's essay has a relationship to Oe's notion and, if so, how?
    • Read Kim Ji-ha's "Five Bandits" (on bCourse) and be ready to speak about it.
    • Read the Kim Ji-ha docx in his folder on bCourse, up through and including Statement of Conscience. (You are welcome to stop at "Am I a communist?")
    • Watch (on bCourse, or online) Betty Boop Ha! Ha! Ha!
    • Who is Betty Boop? Describe this person to someone who has never seen her.
    • Who is Mr Magoo?

In class: Discussion of the first three chapters, Yeats, Blake, Theosophy, Kim, Betty Boop, and Mr. Magoo.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

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Week 13

I sketch out the entire course flow at the beginning of the term, then adjust it as we progress through the class, based on teaching goals. I create the next week's schedule the weekend before that week. When the schedule is not updated, refer to the Google Drive calendar.

Session 24 Tues Nov 19 — JINSEI 02 – Reading Chpt 1 passage in Japanese

Seating format: Tight circle.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Prepare the Japanese, using the bCourse files (JINSEI Chpt 01 ...)
  • There is no DQ due.

In class: We sit in a circle and discuss how you experience the scene differently when reading in the original.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

Session 25 Thurs Nov 21 — JINSEI 03 – Chapters 4-6 and related companion page content

Seating format: Tight circle.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Read Chapters 4-6 and the related companion page content.
  • Read a summary of the play "Macbeth" at Macbeth (Shakespeare birthplace trust)
  • Submit your DQ191121 PreC JINSEI03.
  • Be ready to answer:
    • Based on the content of the play, why do you think he quotes "Macbeth"?
    • What is the story in a play around the concept of "remorse" and what is that play?
    • What is "the poison tree of remorse"? Who is susceptible to it?
    • Speculate on why Oe uses a letter by Fitzgerald at the narrative moment of when K sends a letter to Marie.
    • Why affinities did I suggest there might be between Silver Dove and Oe's writings?
    • How might Silver Dove help understand Marie (or not)?
    • How might thinking about Veronique help us think about Marie as a character in the novel? (Read the full one page from "Balzac and the dynamics of passion"
    • How might Blake's "Orc" help us think about Marie?

In class:

  • RC on all assigned material.
  • Comments on the passages by me.
  • Peer-review of DQR191121 PreC.
  • Then form randomly groups of three that will decide DQ to use for the day. (Cannot select any that are in your group.)
  • Then, discussion of selected DQ with brief sharing at the end.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

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Week 14

Session 26 Tues Nov 26 — JINSEI 04 – Chapters 7-9 and related companion page content

Seating format: Tight circle.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Read with care JINSEI Chapters 7-9 and related companion page content.
  • Be read to answer:
    • Be ready to provide a meaning for any word or any line of the full Yeats poem "The Second Coming."
    • Be able to, again, say who Yeats is.
    • Be able to speculate on why Yeats might be important to Ōe. (Ōe in his Nobel acceptance speech writes: "To tell you the truth, rather than with Kawabata my compatriot who stood here twenty-six years ago, I feel more spiritual affinity with the Irish poet William Butler Yeats, who was awarded a Nobel Prize for Literature seventy one years ago when he was at about the same age as me.")
    • Be able to explain Yeats's gyre on the board. (You will need to click on the Yeatsvision link to prepare for this.)
    • Be able to relate Blake's "The Mental Traveller" to Yeat's geometry of time.
    • Be able to offer a reason as to why a portrait of Orc was above Marie's desk.
    • What does the Book of Matthew have with our reading?
    • Why might Marie's "lightning strike" be symbolic?
    • What is Manichaeism?
    • What is the relationship between Blake and the Swedengorgians?

In class:

  • RC on all assigned material.
  • Comments on the passages by me.
  • Peer-review of DQR191126 PreC.
  • Then form randomly groups of three that will decide DQ to use for the day. (Cannot select any that are in your group.)
  • Then, discussion of selected DQ with brief sharing at the end.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

No class Thurs Nov 28 — Thanksgiving

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Week 15

I sketch out the entire course flow at the beginning of the term, then adjust it as we progress through the class, based on teaching goals. I create the next week's schedule the weekend before that week. When the schedule is not updated, refer to the Google Drive calendar.

Session 27 Tues Dec 3 — Chapters 10-END and related companion page content

Seating format: Tight circle. Your seating also determines small group composition.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Complete reading before class (novel and companion page content). Check back to this page Monday evening for any further discussion questions that might be here. I rather think I won't have time to compose any but let's see. I hope to, anyway.

In class: Discussion of the final chapters of JINSEI.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

Session 28 Thurs Dec 5 — Open discussion (attendance optional)

Seating format: Tight cicle.

Before class:

  • Check this page for what to do in preparation for class. This is an active learning class. Preparation is expected and critical. Check bCourse announcements. Stay attentive to assignment due dates.
  • Nothing to do.

In class: This is an open discussion. I have topics if you don't but anything you would like to say comes first.

After class: bCourse assignments are not listed here—see your bCourse calendar feed or our bCourse home page. *There is nothing in particular that you are expected to do after this session except consolidate your notes for the day.

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RRR Week

Check Calendy for office hours, if any.

Nothing scheduled at this time.

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Exam Week

Final time and date: This class will not have a final exam.